Photoshop CS3 Mastering Lab Color
with: Deke McClelland
Running Time: 6.5 hours

Based upon the device-independent CIE selection from 1976, Lab tone is often lopsided as the techy, labor-intensive tone space. In fact, Lab tone performs sure sorts of tone modifications some-more fast as well as with improved formula than RGB. In Photoshop CS3 Mastering Lab Color, Deke McClelland explores how to have use of Lab tone “to have bad photographs good as well as good photographs even better.” He demonstrates picture manipulations which have been most appropriate matched to Lab, as well as walks by the typical, non-destructive Lab correction. Deke additionally shows how to scold lighting, request resourceful tone modifications, as well as retreat the goods of tone cast. Exercise files attend with the course.

Table of contents

Introduction
Your pathway to improved tone 2:18 11.5 MB
Lab as well as the untreated JPEG picture 6:15 8.6 MB
Lab as well as Camera Raw with the JPEG record 6:05 9 MB
Lab as well as Camera Raw with the tender sketch 8:54 14.8 MB

1. What Lab Color Is
Don’t fright the Lab mode 1:05 6.1 MB
Why tone is 3D 4:22 4.6 MB
Device-dependant RGB as well as CMYK 5:15 5.1 MB
Device-dependant CIELAB D50 5:33 6.2 MB
Color by the numbers (mixing Lab values) 5:35 6.5 MB
The Hue/Saturation tone circle 4:00 4.9 MB
The somewhat lopsided Lab tone circle 9:56 11.4 MB
Lab’s far-reaching universe of “imaginary colors” 6:41 8.3 MB
Examining RGB as well as CMYK channels 6:37 9.9 MB
The bizarre (but powerful) Lab channels 6:47 9.3 MB
How RGB as well as CMYK channels mix 6:45 10.9 MB
How channels mix in Lab 3:54 6 MB

2. What Lab Color Can Do
Bad becomes great, good becomes improved 1:00 5.7 MB
Cheapening the ideally good picture in RGB 5:03 7.1 MB
Making the good picture even improved in Lab 8:09 11.7 MB
Saving the Lab picture record 2:13 3.4 MB
Favoring yellow to change skin tones 6:12 eleven MB
Dropping out the sadness 5:34 9.7 MB
Correcting the really bad picture in RGB 7:20 9.1 MB
Sharpening luminance exclusively of tone 5:22 7.8 MB
Correcting the really bad picture in Lab 7:34 9.2 MB
Sharpening the Lightness channel 5:47 9.2 MB
Finessing the Lightness channel with Curves 8:27 10.6 MB
Applying Curves to the the as well as b channels 7:52 10.4 MB
Sharpening for effect, blurring divided sound 7:14 18.5 MB

3. A Typical, Nondestructive Lab Correction
The joining of all things nondestructive 1:26 8.3 MB
Correcting superfluity as well as tone expel 8:05 19.4 MB
Fading the oranges as well as reds 4:32 9.7 MB
The tip energy of Brightness/Contrast in Lab 5:05 11.2 MB
Smart Objects as well as heightening 3:33 7.7 MB
Fixing chromatic aberrations in RGB 8:51 17.7 MB
Adding distinctness with High Pass 3:13 10 MB
Reducing tone sound with Median 4:35 8.2 MB
Protecting the sky with the firmness facade 5:48 14.6 MB
Nondestructive gathering with Canvas Size 6:23 16.5 MB
Convert to RGB, flatten, as well as save 5:52 12.2 MB

4. Correcting Color Cast as well as Lighting
Images with bigger issues 1:06 5.6 MB
Fixing the tone expel 6:14 6.8 MB
Exaggerating the tone expel 5:23 8.9 MB
Quantifying as well as editing the tone expel 8:11 twelve MB
Sharpening an picture with the Emboss authority 4:38 7 MB
Introducing the some-more difficult tone expel 3:43 4.3 MB
Drawing the law contrariety bend 7:21 9.8 MB
Performing the sum tone expel remuneration 3:49 5.2 MB
Fine-tuning the tone expel remuneration 5:52 7.6 MB
Restoring neutral highlights 6:08 10.3 MB
Masking divided divergent hues 5:16 9.7 MB
Sharpen, save, modify to RGB, as well as stand 6:18 11.2 MB
Applying the Shadows/Highlights Smart Filter 5:01 6.3 MB
Tweaking Shadows/Highlights in Lab 5:25 6.5 MB
Rendering Shadows/Highlights in Lab 7:57 10.4 MB
Correcting tone expel as well as contrariety 6:16 7.8 MB
Completing the low-frequency mural with High Pass 5:22 8.5 MB

5. Selective Color Modifications
Changing the little colors, withdrawal others as is 1:07 6.3 MB
Rotating hues in RGB with Hue/Saturation 5:00 10 MB
Modifying colors in Lab with Curves 5:47 8.6 MB
Blending colors with Underlying Layer 6:08 12.1 MB
Changing colors in habit shots 6:01 8.9 MB
Blending the Red as well as b channels 8:05 10.1 MB
Developing the bottom facade 8:08 15.4 MB
Colorizing an removed area 7:33 10.4 MB
Revealing interrelated highlights 3:18 4.8 MB
Repairing not often colored shadows 5:37 16.6 MB
Tanning as well as deepening skin tones 4:13 6 MB
Exposing splendid eyes as well as teeth 4:39 7.9 MB

Conclusion
See ya 1:08 5.2 MB

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